Deciding how to start an essay — or any piece of writing, really — is for me one of the most difficult aspects of writing. (The other two are deciding on the middle and the end.)
I stress especially about the beginning, probably because I want to ensure that my beginning begins adequately: with the right focus, the right tone, the appropriate style. Get that wrong at the beginning, and the entire essay follows suit. As Tracy Kidder and Richard Tood explain in Good Prose: The Art of Nonfiction: “You can’t make the reader love you in the first sentence or paragraph, but you can lose the reader right away.” It’s a thought that’s all too present with me when I write.
This applies to blog posts, as well.
Several years ago, when writing a memoir / family history, I had more than a dozen first chapters. Why? I couldn’t decide where the best place was to start. Do I start from when I first became interested in family history around the age of 12? Do I start with the mythologized story of how my great-etc-grandparents met, seven generations back? Or do I start from where I presently am in life, and then write primarily in flashbacks? I tried all these methods, and more.
But the problem was, I kept getting updates, both in my own life and in the research I was doing. When something new happened in my life or I found out some important family history detail, the previous beginnings I’d attempted no longer seemed relevant or right. It also meant that the “where I presently am in life” was continually shifting.
If I ever return to the manuscript, I’ll probably have another go at the beginning again.
That is all to say, I’ve struggled with beginnings for a long, long time.
But I’ve learned some valuable things about beginnings during my MFA, and as I’ve continued studying personal essays. And while I’ll be speaking specifically about personal essays, what I’m saying may be applied to other creative nonfiction in general, to blog posts, and perhaps to other genres as well.
One of the things I learned is that I can start my personal essay from where I am, right now, writing. (And I don’t need to update it!) For instance, as I write this, it’s currently afternoon and I am sitting at my desk with a few stacks of books piled beside me, looking out the window to one of the first spring days this year. I am the writer writing.
I like how Patrick Madden begins his essay, “Laughter,” in this way:
“As I write — not specifically now but generally in these days — my two-and-a-half-month-old daughter is just beginning to laugh, and I am sharing in her joy, or, if it not joy that she feels, still I feel the joy of her laugh.”
It is a perfectly acceptable way to begin, with an awareness of the writer writing (even if in this case he is not doing so at the moment), and sets up a meditative expectation for what follows.
Another way is to start by telling the reader why the particular topic is of interest. I used this technique for my first sentence in this essay (“Deciding how to start an essay . . . is for me one of the most difficult aspects of writing”). I’m telling you why I’m interested in the topic right off – and even give you my take on it (my struggle with beginnings).
Here’s an example of this kind of introduction-to-topic technique, from Katherine Anne Porter’s “St. Augustine and the Bullfight”:
“Adventure. The word has become a little stale to me, because it has been applied too often to the dull physical exploits of professional ‘adventurers’ who write books about it, if they know how to write; if not, they hire ghosts who quite often can’t write either.”
Her take on the topic, her wry humour, and her delicious tone immediately made me want to keep reading the essay to its end (which did not disappoint).
A third way is to mention some recent event (in personal essays, these are usually very small) which sparks the idea to write in the first place. I recently read and reviewed Stanley Fish’s How to Write a Sentence and How to Read One, in which he has an entire chapter on “First Sentences.” It interested me, in part because I’ve been keeping a commonplace book category of beginnings – mostly first lines from novels and personal essays, a fact I mentioned recently in response to a comment on my blog. And so you see, my mind has already been wandering over the subject of how to begin an essay over the past few days. (And this essay could very well have begun here.)
“First sentences have what I call ‘an angle of lean’:” writes Fish, “they lean forward, inclining in the direction of the elaborations they anticipate. . . . Even the simplest first sentence is on its toes, beckoning us to the next sentence and the next and the next, promising us insights, complications, crises, and, somethings, resolutions.”
Who is to say which beginning is right, or wrong? Right seems to me a question for the individual essayist and the particular essay she is writing.
But there do seem to be some good practices one can follow. Some pointers from Kidder and Todd about beginnings are: “You can’t tell it all at once,” “There is a lot to be said for the quiet beginning,” and “. . . a good beginning achieves clarity.”
Again, here’s Fish: “There can be no formula for writing a first sentence, for the promise it holds out is unique to the imagined world it introduces, and of imagined worlds there is no end.”
Again, the discussion comes full circle from where I began: the possibilities of how to begin a personal essay are seemingly endless. And yet, it’s my hope that this essay has given you a few ideas, guidelines of how one may begin.
As it is, the sun has now set (at least it’s no longer visible in the sky) and I am sitting on my couch in the not-quite-evening.
I end, not with my own words, but those of Madden, again, near the end of his essay “Laughter”:
“As I write — now, in this moment — I can hear my daughter’s muted laughter behind me. . . . It is not clear to me what she is laughing about, but that laughter without motive is beautiful. I listen closely, watching her, and I laugh out loud.”
Question: How do you begin your personal essays, blog posts, or other writing?
I enjoyed reading your essay on how to begin an essay, blog, Memoir or any creative non-fiction, etc. This is also something I struggle with, especially with my memoir I’m trying to work on right now along with a fiction story. Beginnings are the hardest, but I find that if I worry about that first sentence too much I never start writing. Inevitably, I go back and erase the first sentence and work on something better. I agree with what you say that starting with the “now” what you as the writer are experiencing right now is a good way to start.
As I write this comment, my hand is in a wrist support and so I’m fighting through the pain. I woke up this morning with immense pain in the back of my right hand, my dominant hand being right-handed. So, I will need to stop writing now due to the immense pain. That being said your post helped me.
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Wow, thanks for taking the time and making the effort to comment even with your wrist/hand in pain!
I agree – you make an excellent point about not stressing too much about the first sentence, but to just start writing! Kidder and Todd (who I quoted a couple of times in the essay) wrote about beginnings: “At some point you must trust yourself as a writer.” So true! Like you, I will often go back and re-write my first sentence as well – it’s nice to know that that’s an option! Though, sometimes and this is recently, on shorter pieces, and ones I write in a single sitting, I’ve surprised myself by actually keep the beginning as it is!
Thanks for your comment!
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Writing can be lonely, and so I really appreciate your reply to my comment. If you ever have a moment, perhaps you can look at my posts and tell me what you think. I’d really appreciate your input on my writing. Thanks again.
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I write for myself, as an outlet for my insanity, so I simply begin. I do not question how to begin. I write because I exist. I do not write with an audience in mind most of the time because I do not know if I will let anyone read it. I consider myself a writer because writing is fundamental to my being, but I have very little formal training in writing and I do not write as a career. I’m sure that if I sat and thought of how to begin, I would never begin. Something I wrote the other day begins with “You killed a spider in my underwear.” I feel like that line says so much about my life story, but unless I explain who killed the spider and why there was a spider there, it will only ever be a line that could have been a great beginning, nothing more. If I ever write the long version of my life story, that line will be the first. It’s vague and weird and true, which is the sort of thing my audience would want to start with, if I had an audience.
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Simply beginning is a great way to start – I tend to overthink what I’m writing (as is probably evident from my post!) which can sometimes lead to me not writing at all! Your comment about not having an intended audience made me think about journal writing – that’s one kind of writing that I do not plan (actually I do, but rarely do my first lines that I compose during the day ever make it into written form!). . . I don’t even use paragraphs, just a single block of text under the day’s date. And I just *write* whatever comes to mind, which may or may not include details of events of the day. I think a lot of that freedom comes from the fact that I don’t have an intended audience (or at least, it’s an ever shifting potential audience . . . someday I’ll decide who might read my journals).
I like what you said about the first line of your life story that you might write one day: that now, the line could be a great beginning, but if there’s not the context it can’t expand to something more. I think your line fits nicely with what Stanley Fish wrote about first lines that *lean*: it’s a line that wants to move forward, to tell more. Thanks for your comment!
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I knew that I did not have time. I knew I had another job to do first…However, I read the first two paragraphs and the first part about your daughter, and I had to finish reading the darn thing. You “leaned” me the right way. So, with your end in mind, your essential question, “How do…writing?” I read it, got hooked and responded. See what you did!!!
My thoughts today.
UJ
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I’m so glad Fish’s technique of “leaning” worked! Though I am sorry, UJ, that it proved to take you away from the job you had to do first! (the blog will always be here after 🙂 )
Yes, I decided to try your suggestion for this post of taking my essential question in hand as I began. Sounds like from your response that it turned out to be a successful experiment! Thanks for recommending it, and for responding anew!
P.S. I think I’ll try it again . . .
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I try to open with action. Short sentences if I can. Then build up some explanation in longer breathes, maybe with more clarification or elaboration. As for topic, I try to stick with the first idea that inspires me. Sometimes that changes, but not often. In my opinion, anecdotes or hard stats make for interesting intros.
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Short sentences certainly have punch. They get a reader hooked. I like these ideas – your focus on not only content but also form. Something really resonated with me when I read that you try to stick with the first idea that inspires you. I’ve had a tendency to over-think, and over-write, and somewhere in all that, the original idea — the life of the piece — often gets lost in the process. Once I learned to trust that an initial idea can carry a piece through, I’ve been surprised to find it’s not only easier to write but often better writing (ironically to me). Ah – and anecdotes and/or facts: two more great openers! Thanks for your comment, Joel!
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That tendency to overthink is probably a struggle most writers have. An english professor (not mine) once told me that good writing comes from clear thinking. I don’t know if he was quoting anyone, but it stuck with me.
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I love this post, Heather! I’m thinking on and hopefully, can come back and chat a bit! 🙂
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